KAY CAMPBELL – Visual Artist, Professor of Art, Arts Advocate
Professional Preparation and Education
| 1983 | Master of Fine Arts, The University of Kansas, Lawrence, KS |
| 1977 | Bachelor of Art, University of Toledo, concurrent with Bowling Green State University, Bowling Green, OH |
Additional Study
| 2014 | Adobe Creative Suite, Linn Benton Community College, Albany, OR |
| 2010 | Adobe Creative Suite, Oregon State University, Corvallis, OR |
| 1997 | Monoprint Master Class, University of Kansas, Lawrence, KS |
| 1995 | Surface Design Master Class, Portland State University, Portland, OR |
| 1994 | National Surface Design Association Tour of Italy, on-site, sabbatical research |
| 1987 | European Architecture and Art History, on-site, postgraduate study, Eastern Michigan University, Ypsilanti, MI |
| 1985 | Haystack Mountain School of Crafts, Deer Isle, ME (and 1981, 1978, 1977) |
| 1984 | U.S. Textile Arts Delegation Tour of China, on-site, postgraduate study |
Academic and Creative Employment
| 2018 | Professor Emerita of Art and Design, Oregon State University, Corvallis, OR |
| 1999-2017 | Professor of Art and Design, Oregon State University in Printmaking, Color Theory and Foundations. Has demonstrated expertise in mentoring diverse groups of students in critical thinking and problem solving strategies in an interdisciplinary environment. Fostered students’ intellectual and professional development in preparation for varied career paths. Devised new course content, served as academic advisor, member of graduate faculty, contributed to all levels of departmental governance as well as within the College of Liberal Arts. Supervised adjunct faculty, chair of first year curricula, designed entry portfolio review process, oversaw facilitation of pre-college programming, served as thesis committee chair. |
| 1987-1999 | Professor of Art and Design, Southern Oregon University, in Surface Design, Paper Making and Book Arts. Created new curriculum in fiber-related processes, innovating former traditional craft program; involved with strategic planning; oversaw facility renovation; wrote instructional improvement grants; sought equipment acquisition funding; introduced writing across the major; and conducted program visibility through curated exhibitions, national and regional publications, marketing, and related recruitment activities. Sponsored frequent visiting artists in lecture and exhibition series. Served as department liaison to the Costume Design Division of the Oregon Shakespeare Festival. |
| 1994-1995 | Visiting Professor of Art and Design, Oregon State University, in Foundations. |
| 1985-1987 | Assistant Professor of Art and Design, Ball State University, in Fibers, Surface Design and Paper Making. Innovated existing curriculum to expand content, wrote new courses, acquired funding sources for equipment acquisition, served as an academic advisor, and participated in departmental and college governance. |
| 1985-1987 | Art and Design Instructor, Ball State University’s Pre-college Visual Arts Workshop. Taught Color Theory to high school students. |
| 1984-1985 | Adjunct Art Instructor, Bowling Green State University, in Foundations. Taught Foundations courses, including Two and Three-Dimensional Design. |
| 1983 | Costume Stitcher, Draper and Pattern Maker, San Diego Shakespeare Festival, San Diego, CA |
| 1980-1982 | Visual Literacy Instructor, Toledo Museum of Art, Toledo, OH. Utilized museum collection for theory and practice instruction to area public school teachers; led discussions and conducted subsequent hands-on workshops. Taught Saturday Community Youth courses for kindergarten through high school students, formatting content around and providing exposure to museum collections, followed by hands-on studio practice. |
| 1980-1981 | Costume Designer, Westgate Dinner Theater, Toledo, OH |
Administrative and Leadership Experience
| 2020 | Education and Community Programs Committee, Member, Portland Center Stage, Portland, OR |
| Board of Governors, Pacific Northwest College of Art, Portland, OR | |
| Core Committee, Member, Pacific Northwest College of Art, Portland, OR | |
| NW Arts Council, Member, Portland Museum of Art, Portland, OR | |
| 2001-2014 | Foundations Coordinator, Oregon State University. Supervised five adjunct instructors; conducted searches and hired new faculty; oversaw budget and schedules; implemented the creation of the admissions portfolio review process; revised curriculum to include digital studio practice and critical thinking; developed new courses; unified course syllabi; defined course outcomes; redesigned faculty evaluative materials; conducted regular staff meetings; developed program-wide comprehensive teaching strategies; attended biannual conferences for Foundations in Art: Theory and Education; chaired the Foundations Curriculum Committee; identified students for recognition and scholarships. |
| 2014 | Visual Arts Center Planning Committee Member, Oregon State University. |
| 1995-2006 | Associate Director of Jumpstart, Oregon State University Department of Art’s Pre-College Fine and Performing Arts Workshop. Supported the planning and management of OSU’s accelerated summer arts program, which attracted students from throughout the United States. Involved in the selection of faculty at College Art Association conferences, program design and implementation, curricular planning, visiting artist and performer oversight, arrangement of fieldtrips and workshops, publicity, evaluation materials, supply acquisition, marketing, and campus- and city-wide visibility. Acted as liaison with regional high school art teachers and OSU administrators. |
| 2002,2005 | Percent for Art Selection Committee Member, Oregon Arts Commission, Salem, OR. Review and evaluate artist submissions for public art projects; collaborate with committee members to choose award recipients appropriate to the specific project and site. |
| 2002-2003 | Executive Board Member, The Arts Center, Corvallis, OR. Contributed to the organization’s branding, participated in national search for its director, involved with two annual fundraising events, contributed to budget reviews, participated with arts education program, functioned as exhibition selection advisor, promoted the organization within the community, served as liaison to Oregon State University, and juried art for annual Fall Festival and Da Vinci Days exhibitions. |
| 1994-1998 | Executive Board Member and Treasurer, Surface Design Association. Managed $140,000 in assets; monitored and authorized all expenditures; prepared annual budget projections, quarterly and year-end fiscal reports, and IRS reports; attended quarterly board meetings; represented the organization and presented reports at national conferences; promoted the organization to seek private and corporate funding; wrote employee contracts; and managed contracts and vendors for bimonthly publication. |
| 1997,1998 | Percent for Arts Selection Committee Member, Oregon Arts Commission, Salem, OR. Review and evaluate artist submissions for public art projects; collaborate with committee members to choose award recipients appropriate to the specific project and site. |
| 1995-1997 | Programmatic Consultant, Thundering Seas Institute of Art & Craft, Newport, OR. Acted as curricular advisor for proposed new art and design center. |
| 1998 | Steering Committee Member, Surface Design Association Annual Conference, Lawrence, KS. Helped manage the selection of the keynote speaker, workshop topics and presenters, and citywide art venues, tours, and workshops. |
| 1995 | Visual Arts Complex Planning Committee Member, Southern Oregon University. Played a key role in fundraising efforts for matching grant and involved with all levels of architectural design review, and coordinating space usage for various studio arts facilities. |
| 1990-1996 | Oregon State Representative, Surface Design Association. Represented state membership at national conferences; coordinated member contributions to the national publication; held regional and statewide meetings. |
| 1994 | Steering Committee Member, Surface Design Association Annual Conference, Portland, OR. Served as the invited juror for the association’s national student art exhibition in the Littman Gallery at Portland State University. Helped manage selection of speakers, workshops, exhibitors, and panel discussions for the annual conference. |
| 1990-1992 | Percent for Art Selection Committee Member, Oregon Arts Commission, Salem, OR. Review and evaluate artist submissions for public art projects; collaborate with committee members to choose award recipients appropriate to the specific project and site. |
Selected International Exhibitions
| 2022 | International Printmaking Biennial, Miguel Torga Cultural Center, Douro, Portugal |
| Global Print 5, Douro Museum of Art, Alijo, Portugal | |
| 2021 | Mini Print, International De Cadaques Exhibition, Barcelona, Spain |
| D-Hub Print Exhibition, Atelier de Ruiso Creavito, Verona, Italy | |
| Not So Mini Print Exhibition, Alberta Printmakers, Calgary, Alberta, Canada | |
| 2020 | International Print Exchange, Qu Bi Gallery, Villa Caldogno, Vicenza, Italy |
| Print Cantabria – Impact 10, Faro Cabo Art Center, Cantabria, Spain | |
| The Cleaning Rag, Art Factory Flox Gallery, Dresden, Germany | |
| Print International 6, Leicester Print workshop, Leicester, England | |
| 2019 | International Print Exchange, Qu Bi Gallery, Vicenza, Italy |
| 2018 | Leftovers VII, Jilin Gallery, Dongguan, China |
| 2015 | Awagami International Miniature Print Exhibition, The Hall of AWA Japanese Paper Museum, Tokushima, Japan |
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Animalia: World Animal Protection Print Exhibition, The Milk Factory Gallery, Bowral, Australia |
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| International Print Exhibition, The Banks Mill Gallery, Derbyshire, England | |
| 2014 | Works on Paper, ArtSpace Gallery, Chatham, Ontario, Canada |
| 2006 | Sources of Inspiration: Celebration of Diverse Views, Kaye Fine Art Gallery, Kaye Academic College of Education, Bee-Sheva, Israel – Featured in Catalog, Tour |
National Juried Exhibitions
| 2021 | Wish You Were Here, Imago Foundation for the Arts, Warren, RI |
| 2019 | Leftovers IX, International Print Exchange, Wingtip Press Gallery, Boise, ID |
| Emerald Print Exchange, Whiteaker Printmakers, Eugene, OR | |
| 2017 | Leftovers VIII, Wingtip Press Gallery, Boise, ID |
| 2015 | Printmaking Now, Imago Foundation for the Arts, Warren, RI |
| 2014 | Green Peace Press Prints, Lowe Mill Gallery, Huntsville, AL |
| Multiplicities, Imago Foundation for the Arts, Warren, RI | |
| 2013 | Print Work, Pittsburg Center for the Arts, Pittsburg, PA |
| 2011 | Couplings, Gallery 510, Seattle, WA |
| Women’s Work, Old Courthouse Square, Woodstock IL | |
| 2009 | Tallahassee International, Museum of Fine Arts, Tallahassee, FL |
| Working in Wax, Bedford Gallery, Lesher Center for the Arts, Walnut Creek, CA | |
| 2008 | Combined Talents, Museum of Fine Arts, Florida State University, Tallahassee, FL |
| Opposites Attract, Fine Art Gallery, San Jacinto College, Houston, TX | |
| Elemental Terrain, Dan Cannon Gallery of Art, Western Oregon University, Monmouth, OR | |
| 2007 | Her Mark, The Woman Made Gallery, Chicago, IL |
| Transforming the Elements, Art Center of Virginia, Waynesboro, VA | |
| The Art of Recycling, San Luis Obispo Art Center, San Luis Obispo, CA | |
| 2006 | North American Sculpture Exhibition, Foothills Art Ctr., Golden, CO – Featured in Catalog |
| Materials Hard and Soft, Center for Visual Arts, Denton, TX | |
| Women’s Works, Illinois Arts Council, Woodstock, IL | |
| Heroines; Remarkable Women, Art Harvest Gallery, Sacramenta, CA | |
| Sarasota Fine Arts National, Katharine Butler Gallery, Sarasota, FL | |
| Women and Nature, Mill Gallery, Smithtown Art Council, St. James, NY | |
| 2005 | Hindsight, Afif Gallery, Philadelphia, PA |
| True Fiction, Foundry Art Center, St. Louis, MO | |
| Clay, Fiber, Paper, Metal, Wood, Octagon Center for the Arts, Ames, IA | |
| 2004 | North American Sculpture Exhibition, Foothills Art Ctr., Golden, CO – Featured in Catalog |
| Bold Expressions, Sacramento Fine Arts Center, Sacramento, CA | |
| National Art Competition, Truman State University, Kirksville, MO | |
| 2003 | Women’s Work, Old Court House Arts Center, Woodstock, IL |
| Faces of Women, Las Vegas Arts Center, Las Vegas, NV | |
| 2002 | Northwest Fiber Invitational, Cannon Beach Gallery, Cannon Beach, OR |
| Place/Commonplace, St. Louis Artist’s Guild, St. Louis, MO | |
| Across The Generations, Sonoma State University Art Gallery, Sonoma, CA | |
| Cultural Identity, Campbell Hall Gallery, Western Oregon University, Monmouth, OR | |
| Recycled Art, The Sun Gallery, Hayward, CA | |
| Fiber Art, Gallery 510, Decatur, IL | |
| Clay, Fiber, Paper, Metal, Octagon Center for the Arts, Ames, IA | |
| Long Beach National, Long Beach Arts, Long Beach, CA | |
| 2001 | Pattern by Definition, Texas Women’s University, Houston, TX |
| References: Kay Campbell and John Maul, New Media Gallery, Ventura College, Ventura, CA | |
| Import/Export, Woman Made Gallery, Chicago, IL | |
| Fine Art – Port Townsend, Port Townsend Art Center, Port Ludlow, WA | |
| Repeater, Signature Gallery, Atlanta, GA | |
| Art Equinox, Paris Gibson Square Museum of Art, Great Falls, MT – Featured in Catalog | |
| Close to Home, Pacific Grove Art Center, Pacific Grove, CA | |
| 2000 | Lewis and Clark Annual Exhibition, Lewis-Clark Art Center, Lewiston, ID |
| Art Prophecies for the New Century, Ohlone College, Louie Art Gallery, Fremont, CA | |
| 2000 KCAD, Kendall College of Art and Design, Grand Rapids, MI | |
| Remembrance, RE: Women, Kehr Union Gallery, Bloomsburg University, Bloomsburg, PA | |
| 1999 | Countdown 2000, Gallery 1078, Chico, CA |
| On the Edge of the Millennium, Edge Gallery, Denver, CO | |
| Handmade in Oregon, Contemporary Crafts Gallery, Portland, OR | |
| Farewell to the 20th Century, Univer. Art Gallery, Central MI University, Mt. Pleasant, MI | |
| Contemporary Realism, Sam Houston State University, Huntsville, TX | |
| Conflict/Resolution, Woman Made Gallery, Chicago, IL | |
| 1998 | Autumn Exhibition, The Steeple Gallery, St. John, IN |
| Paper/Fiber, Arts Center and Gallery, Iowa City, IA | |
| 1997 | Common Threads, University of Kansas Art Gallery, Lawrence, KS – Featured in Catalog |
| Stitchers and Beaders: America’s Best, Ohio Craft Museum, Columbus, OH | |
| ANA National Exhibition, Holter Museum of Art, Helena, MT – Featured in Catalog | |
| Vaguely Familiar, Galeria Mesa, Mesa Art Center, Mesa, AZ | |
| 1996 | The Fourteenth Annual, Lewis and Clark Arts Center, Lewiston, ID |
| Inner Voices, Woman Made Gallery, Chicago, IL | |
| 1995 | Art Equinox, Paris Gibson Square Museum of Art, Great Falls, MT – Featured in Catalog |
| Fiber ‘95, Textile Arts Centre, Chicago, IL | |
| Stitches, Woman Made Gallery, Chicago, IL | |
| 1994 | Fiber International, Chautauqua Craft Alliance, Fredonia, NY – Featured in Catalog |
| 1993 | Patterns and Narratives, Arrowmont School of Crafts, Gatlinburg, TN |
| Influences and Innovations, Torpedo Factory Art Center, Alexandria, VA | |
| Fiber Spectrum, Washington State Historical Museum, Tacoma, WA | |
| Contemporary Fibers, Tempe Arts Center, Tempe, AZ | |
| 1992 | Environmental Perspectives, New Zone Gallery, Eugene, OR |
| Capitol I, Convergence ‘92, Washington, D.C. | |
| Miriam Shapiro Juried Open, Hunter Museum of Art, Chattanooga, TN | |
| Big Sky Biennial Exhibition, Davis Gallery, Pocatello, ID | |
| Paper/Fiber XV, The Arts Center, Iowa City, IA – Featured in Catalog | |
| Fiber Celebration, The Art Center, Estes Park, CO | |
| Crafts National, Zoller Gallery, Philadelphia, PA | |
| 1991 | Fiber Concepts: Now, Butler Institute of American Art, Youngstown, OH |
| Fiber Celebrated, Colorado Springs Fine Art Center, Colorado Springs, CO | |
| Fiber National, Adams Memorial Gallery, Dunkirk, NY – Featured in Catalog | |
| Crafts National, Zoller Gallery, Penn. State University, Philadelphia, PA | |
| 1990 | Northwest Contemporary Fiber, Center for Contemporary Art, Great Falls, MT |
| Fiber as Art, Hunterdon Art Center, Clinton, NJ – Featured in Catalog | |
| Handmade for the ‘90’s, The Berkshire Museum, Pittsfield, MA | |
| 1989 | Fiberart ‘89 International, Pittsburgh Center for theArts, Pittsburgh, PA |
| About Fiber, Rockford Museum of Art, Rockford, IL – Featured in Catalog | |
| 1988 | The Manipulated Thread, Missoula Museum of Art, Missoula, MT |
| Galex 22, Galesburg Art Center, Galesburg, Illinois | |
| 1987 | Fiber Celebrated, Northern Arizona State University Art Gallery, Flagstaff, AZ |
| Fiber National ‘87, Adams Memorial Gallery, Dunkirk, NY | |
| Crafts National II, Upton Hall Gallery, SUNY at Buffalo, Buffalo, NY | |
| Art West, Art West Gallery, Jackson, WY | |
| Galex 21, Galesburg Art Center, Galesburg, IL | |
| Fiber/Metal, Evansville Museum of Art, Evansville, IN | |
| Tri Kappa, Fort Wayne Museum of Art, Fort Wayne, IN | |
| 1986 | Fiber R/Evolution, Milwaukee Museum of Art, Milwaukee, WI – Featured in Catalog, Tour |
| A Celebration Of Fiber V, Butler Institute of American Art, Youngstown, OH | |
| September Competition, Alexandria Art Museum, Alexandria, LA | |
| Contemporary Crafts, The Mill Gallery, Bethlehem, PA | |
| Fiber National ‘86, Adams Memorial Gallery, Dunkirk, NY | |
| Art West, Art West Gallery, Jackson, WY | |
| Celebrated ‘86, Loveland Museum of Art, Loveland, CO | |
| Desert West, Antelope Valley Art Center,Lancaster, CA | |
| Currents ‘86, Art Barn Gallery, Murfreesboro, TN | |
| Galex 20, Galesburg Art Center, Galesburg, IL | |
| Contemporary Crafts, The Mill Gallery, Bethlehem, PA | |
| 1985 | Crafts National, Upton Hall Gallery, SUNY at Buffalo, Buffalo, NY |
| Galex 19, Galesburg Art Center, Galesburg, IL | |
| Paper/Fiber IV, The Arts Center, Iowa City, IA | |
| Fiber Celebrated ‘85, Intermountain Weavers Conference, Albuquerque, NM | |
| Desert West, Antelope Valley Art Center, Lancaster, CA | |
| Patterns, Multiples & Narratives, Augustana College, Rock Island, IL | |
| Fine Focus, Craft Alliance Gallery, St. Louis, MO | |
| Surface to Structure, Georgia State University Art Gallery, Atlanta, GA | |
| Dreams and Other Illusions, Mill Gallery, Guilford, CT | |
| 1984 | Fiber National ‘84, Adams Memorial Gallery, Dunkirk, NY |
| Paper/Fiber VIII, The Arts Center, Iowa City, IA | |
| Dreams and Other Illusions, Mill Gallery, Guilford, CT | |
| Clay/Fiber ‘84, Cuyahoga Valley Art Center, Cuyahoga Falls, OH | |
| Currents ‘84, Art Barn Gallery, Murfreesboro, TN | |
| Galex 18, Galesburg Art Center, Galesburg, IL | |
| Affairs of Art, Streaker Gallery, Manhattan, KS | |
| Fiber ‘84 Off The Loom, Centennial Art Gallery, Rock Island, IL | |
| National Crafts Exhibition II, The Gallery, Galveston, TX | |
| Northern Colorado Weaver’s Guild, University of Colorado Art Gallery, Ft. Collins, CO | |
| 1983 | Private Spaces, Private Lives, Loveland Museum of Art, Loveland, CO |
| National Art Exhibition, University of Colorado Art Gallery, Fort Collins, CO | |
| Energy Art, Foothills Art Center, Golden, CO | |
| Marietta College Craft National, Hermann Art Gallery, Marietta College, Marietta, OH |
Invitational and Small Group Exhibitions
| 2021 | Support the Postal Service – A Mail Art Project, Vanderbilt University Library, Nashville, TN |
| Quarantine Perspectives, Artspace, Oaklahoma City, OK | |
| 2016 | Printmakers Who Teach, Duplex Gallery, Portland, OR |
| 2014 | Eighth Annual Cascade Print Exchange, Fairbanks, Gallery, Corvallis, OR |
| 2013 | Seventh Annual Cascade Print Exchange, Fairbanks, Gallery, Corvallis, OR |
| 2012 | Sixth Annual Cascade Print Exchange, Fairbanks, Gallery, Corvallis, OR |
| 2011 | Fifth Annual Cascade Print Exchange, Fairbanks, Gallery, Corvallis, OR |
| 2010 | On the Cutting Edge, Coos Bay Museum of Art, Coos Bay, OR |
| Fourth Annual Cascade Print Exchange, Fairbanks Gallery, Corvallis, OR | |
| Printmakers Exhibition, Memorial Union Concourse Gallery, Oregon State University | |
| 2009 | The Poetic Dialogue Project, Chicago Cultural Arts Center, Chicago, IL Catalog, Tour |
| Printmakers Exhibition, Memorial Union Concourse Gallery, Oregon State University | |
| 2008 | Elemental Terrain, Dan Cannon Gallery of Art, Western Oregon University, Monmouth, OR |
| 2007 | Her Mark, The Woman Made Gallery, Chicago, IL |
| 2006 | Sources of Inspiration: Celebration of Diverse Views, Kaye Fine Art Gallery, Kaye Academic College of Education, Bee-Sheva, Israel – Featured in Catalog |
| 2003 | Shaping Space, Benton County Historical Museum, Philomath, OR |
| 2002 | Northwest Fiber Invitational, Cannon Beach Gallery, Cannon Beach, OR |
| Oregon State University Faculty Art Exhibition, The Hult Center, Eugene, OR | |
| 2001 | Pattern by Definition, Texas Women’s University, Houston, TX |
| References: Kay Campbell and John Maul, New Media Gallery, Ventura College, Ventura, CA | |
| Corvallis Invitational, Corvallis Art Center, Corvallis, OR | |
| Collaborations: Kay Campbell and John Maul, Lane Community College, Eugene, OR | |
| 2000 | New Works: Kay Campbell and John Maul, Central Oregon Community College, Bend, OR |
| Handmade in Oregon, Contemporary Crafts Gallery, Portland, OR | |
| 1999 | Countdown 2000, Gallery 1078, Chico, CA |
| 1998 | Autumn Exhibition, The Steeple Gallery, St. John, IN |
| 1997 | Common Threads, University of Kansas Art Gallery, Lawrence, KS – Featured in Catalog |
| Stitchers and Beaders: America’s Best, Ohio Craft Museum, Columbus, OH | |
| 1996 | GalleryArtist’s Exhibition, Sticks and Stones Gallery, Seattle, WA |
| 1994 | Kay Campbell: Elements, Sticks and Stones Gallery, Seattle, WA |
| 1993 | Kay Campbell and John Maul: New Work, Jacobs Gallery, Hult Center, Eugene, OR |
| 1992 | Environmental Perspectives, New Zone Gallery, Eugene, OR |
| 1991 | Collaborations: Kay Campbell and John Maul, Hanson Howard Gallery, Ashland, OR |
| 1990 | Northwest Contemporary Fiber, Center for Contemporary Art, Great Falls, MT |
| 1988 | Contemporary Women Artists, Lafayette Museum of Art, Lafayette, IN |
| 1987 | Fiber/Metal, Evansville Museum of Art, Evansville, IN |
| Indiana Fiber Artists, Earlham College, Richmond, IN | |
| 1986 | Three From Indiana, Genet Gallery, Syracuse, NY |
| Recent Works, Contemporary Crafts Gallery, Portland, OR | |
| 1985 | Contemporary Fiber, Carr Gallery, Houston, TX |
| And The Winners Are!, Ohio Designer Craftsman Gallery, Columbus, OH | |
| The Best of ‘85, Columbus Cultural Arts Center, Columbus, OH | |
| 1984 | Fiber: Five Views, Dawson Gallery, Rochester, NY |
Juried Regional Exhibitions
| 2020 | Mail Art Exhibition, Kenton Post Office, Portland, OR |
| 2009 | The All Oregon Annual, The Corvallis Art Center, Corvallis, OR |
| 2006 | Sources of Inspiration: Celebration of Diverse Views, OSU Memorial Union, Corvallis, OR |
| 2005 | Artists Trading Cards, The Corvallis Art Center, Corvallis, OR |
| The Fall Festival, Corvallis Public Library, Corvallis, OR | |
| 2002 | Oregon State University Faculty Art Exhibition, Jacobs Gallery, Hult Center, Eugene, OR |
| 2001 | 31st Willamette Valley Exhibition, Corvallis Art Center, Corvallis, OR |
| 2000 | Corvallis Invitational, Corvallis Art Center, Corvallis, OR |
| 1997 | Northwest Annual International Art Exhibition, Whatcom Museum of Art, Bellingham, WA |
| 1995 | The Oregon Biennial, Portland Museum of Art, Portland, OR |
| Fresh Dimensions, 5th Annual Sculpture Biennial, Maude Kerns Art Center, Eugene, OR | |
| 1991 | Showcase ‘91, The Beaverton Arts Commission, Beaverton, OR |
| 1990 | A Celebration of the Arts in Oregon, The Oregon State Capitol Building, Salem, OR |
| 1989 | SOU Faculty Exhibition,The Bush Barn Gallery, Salem, OR |
| 1988 | Showcase ‘88, The Beaverton Arts Commission, Beaverton, OR |
| 1987 | Tri Kappa, The Fort Wayne Museum of Art, Fort Wayne, IN |
| A Taste of Ashland, Hanson Howard Gallery, Ashland, OR | |
| 1986 | Art League ‘86, The Indianapolis Art League, Indianapolis, IN |
| The May Show, The Toledo Museum of Art, Toledo, OH | |
| Focus Northern Ohio, The Sandusky Cultural Arts Center, Sandusky, OH | |
| 1985 | And The Winners Are!, Designer Craftsman Gallery, Columbus, OH |
| 1984 | Midwest Artist’s Exhibition,The Deluce Gallery, Maryville, MO |
| The May Show, Toledo Museum of Art, Toledo, OH | |
| Designer Craftsman Exhibition, Union Gallery, The University of Kansas, Lawrence, KS | |
| Winter Art Exhibition, Anderson University, Anderson, IN |
Solo and Two-Person Exhibitions
| 2008 | Kay Campbell: Recent Work, Katharine Butler Gallery, Sarasota, FL |
| 2007 | Kay Campbell: Points of Origin, Gallery 76, Wenatchee Valley College, Wenatchee, WA |
| Kay Campbell: Beneath the Surface, The Steeple Gallery, St. John, IN | |
| 2006 | Kay Campbell: Home Sweet Home, Red Chair Gallery, Kansas City, MO |
| Kay Campbell: Elements, Sticks and Stones Gallery, Seattle, WA | |
| 2005 | Kay Campbell: Recent Works, Brena Gallery, Denver, CO |
| 2004 | Kay Campbell: About Place, Buckley Center Gallery, The University of Portland, Portland, OR |
| 2003 | Kay Campbell Points of Origin, Gallery 76, Wenatchee Valley College, Wenatchee, WA |
| 2002 | Kay Campbell Beneath the Surface, The Steeple Gallery, St. John, IN |
| 2001 | Kay Campbell: About Place, Buckley Center Gallery, The Univer. of Portland, Portland, OR |
| Kay Campbell: Hemispheres, Patrick King Contemporary Art, Indianapolis, IN | |
| 2000 | Kay Campbell Home Sweet Home, Red Chair Gallery, Kansas City, MO |
| 1995 | Kay Campbell and John Maul: New Work, Jacobs Gallery, Hult Center, Eugene, OR |
| Kay Campbell, Fairbanks Gallery, Oregon State University, Corvallis, OR | |
| Kay Campbell, College of the Mainland, Houston, TX | |
| 1994 | Kay Campbell Elements, Sticks and Stones Gallery, Seattle, WA |
| 1993 | Kay Campbell Fairbanks Gallery, Oregon State University, Corvallis, OR |
| 1992 | Kay Campbell College of the Mainland, Houston, TX |
| Kay Campbell Hemispheres, Patrick King Contemporary Art, Indianapolis, IN | |
| Kay Campbell New Work, Hanson Howard Gallery, Ashland, OR | |
| 1991 | Collaborations: Kay Campbell and John Maul, Hanson Howard Gallery, Ashland, OR |
| 1990 | Kay Campbell: Recent Works, Brena Gallery, Denver, CO |
| Kay Campbell: Recent Works, Contemporary Crafts Gallery, Portland, OR |
Curated Exhibitions
| 1998 | Rising to the Surface, National Exhibition, Southern Oregon University, Ashland, OR |
| On the Fringe, Regional Exhibition, Stevenson Union Gallery, SOU, Ashland, OR | |
| The Whole Cloth, Regional Exhibition series, co-curated with Nan Trout, Southern, OR | |
| 1995 | SurfacingVisions, National Exhibition, Autzen Gallery, Portland State Univer., Portland, OR |
| 1993 | Fibers Crossing Over, National Exhibition, Maude Kerns Art Center, Eugene, OR |
| 1991 | Fiber Directions: West Coast, National Exhibition, Redding Museum of Art, Redding, CA |
| 1990 | Fiber Directions: West Coast, National Exhibition, Schneider Museum of Art, Ashland, OR |
Public Collections and Gallery Representation
| Woman Made Gallery, Chicago, IL |
| Oregon Health Sciences University, Portland, OR |
| Corporate Travel Agency, Toledo, OH |
| First National Bank of Houston, Houston, TX |
| Cullinet Computer Software, Inc., Cambridge, MA |
| Marriott Hotel Corporation, Inc., Kansas City, MO |
| Westinghouse Electric Corporation, Inc., Pittsburgh, PA |
| Louis Wellan Memorial, Alexandria Museum, Alexandria, LA |
| Patrick King Contemporary Art Gallery, Indianapolis, IN |
| Hanson Howard Gallery, Ashland, OR |
| Carr Gallery of Contemporary Art, Houston TX |
| Sticks and Stones Gallery, Seattle WA |
Awards and Grants
| 2014 | Funding Award, Providence Organization, Tigard, OR |
| 2009 | L. L. Stewart Grant, Printmaking research, Oregon State University, Corvallis, OR |
| Goldenberg Award for Excellence, Working in Wax National Exhibition, Bedford Gallery, Walnut Creek, CA |
|
| 2006 | L. L. Stewart Grant, Printmaking Research, Oregon State University, Corvallis, OR |
| Best of Show Award, Sarasota National Exhibition, Katharine Butler Gallery, Sarasota, FL | |
| 2005 | L. L. Stewart Grant, Oregon State University, Corvallis, OR |
| 2002 | Second Place Award, Clay, Fiber, Paper, Metal Exhibition, Octagon Art Center, Ames, IA |
| Juror’s Award, Place/Common Place Exhibition, St. Louis Art Center, St. Louis, MO | |
| 2000 | Merit Award, Department of Art, Oregon State University, Corvallis, OR |
| 1997 | Merit Award, Lewis & Clark Arts Center, National Juried Exhibition, Lewiston, ID |
| Carpenter II Grant, Southern Oregon Univ. for Printmaking research at The University KS | |
| 1995 | Carpenter II Grant, research/travel funding, Southern Oregon University |
| 1994 | Instructional Improvement Grant, sabbatical research in Italy, Southern Oregon University |
| 1993 | First Place Award, Contemporary Fibers Exhibition, Tempe Arts Center, Tempe, AZ |
| Carpenter II Grant, research/travel funding study tour of Italy, Southern Oregon University | |
| 1992 | Instructional Improvement Grant, equipment acquisition, Southern Oregon University |
| Faculty Research Grant, School of Arts and Letters, Southern Oregon University | |
| Award of Excellence, Miriam Shapiro Juried Open Exhibition, Hunter Museum of American Art, Chattanooga, TN | |
| Merit Award, Big Sky Biennial Exhibition, Davis Gallery, Pocatello, ID | |
| 1990 | National Endowment for the Arts Grant, co-written with Greer Markle (PI), Director of the Schneider Museum Of Art, for funding of an exhibition catalog in support of the exhibition ”Fiber Directions: West Coast.” |
| Merit Award, Department of Art, Southern Oregon University, Ashland, OR | |
| 1989 | Purchase Award, Fiber International Exhibition, Pittsburgh Ctr. for the Arts, Pittsburgh, PA |
| Merit Award, Department of Art, Southern Oregon University, Ashland, OR | |
| 1988 | Merit Award, Galex 22 Exhibition, Galesburg Art Center, Galesburg, IL |
| 1987 | Second Place Award, Art West Exhibition, Art West Gallery, Jackson, WY |
| Faculty Research Grant, College of Fine and Performing Arts, Ball State University | |
| Merit Award, Department of Art, Ball State University, Muncie, IN | |
| Presidential Award, School of Fine and Performing Arts, Ball State University, Muncie, IN | |
| 1986 | Faculty Research Grant, College of Fine and Performing Arts, Ball State University |
| Purchase Award, September Competition Exhibition, Alexandria Art Museum, Alexandria, LA | |
| Award of Excellence, Focus Northern Ohio Exhibition, The Sandusky Cultural Art Center | |
| Outstanding Craftsman Award, The May Show, Toledo Museum of Art, Toledo, OH | |
| Merit Award, Department of Art, Ball State University, Muncie, IN | |
| Presidential Award, School of Fine and Performing Arts, Ball State University, Muncie, IN | |
| 1985 | Scholarship, study with Jack Lenore Larson, Haystack Mtn. Sch. of Crafts, Deer Isle, ME |
| Faculty Research Grant, College of Fine and Performing Arts, Ball State University | |
| Honorable Mention, Desert West Exhibition, Antelope Valley Arts Center, Lancaster, CA | |
| Award of Excellence, And The Winners Are! Exhibition, Ohio Designer Craftsman Gallery, Columbus, OH |
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| Merit Award, Department of Art, Ball State University, Muncie, IN | |
| Presidential Award, School of Fine and Performing Arts, Ball State University, Muncie, IN | |
| 1984 | Research Grant, travel funding for study tour of China, Ball State University, Muncie, IN |
| First Place Award, Clay/Fiber ‘84 Exhibition, Cuyahoga Valley Art Center, Cuyahoga, OH | |
| The Best of Show Award, Affairs of Art Exhibition, Streaker Gallery, Manhattan, KS | |
| The Best of Show, Winter Art Exhibition, Anderson University Art Gallery, Anderson, IN | |
| Honorable Mention, Northern Colorado Artist’s Exhibition, University of Colorado, Fort Collins, CO | |
| 1983 | Omnicron Award, Energy Art Exhibition, The Foothills Art Center, Golden, CO |
| 1981 | Scholarship, Haystack Mountain School of Crafts, Deer Isle, ME |
Service to the Profession
| 2014 | Reviewer, Printmaking, manuscript for Oxford University Press, London, England |
| 2013 | Reviewer, Two & Three Dimensional Design, manuscript for Pearson Learning Publications |
| 2012 | Reviewer, Foundations in Art & Design, manuscript for Cengage Publications |
| Reviewer, Launching the Imagination, manuscript for Cengage Publications | |
| 2011 | Reviewer, Three-Dimensional Design, manuscript for Cengage Publications |
| Reviewer, Basic Design, manuscript for Cengage Publications | |
| 2010 | Reviewer, Color, 6th edition, manuscript for Laurence King Publications, London, England |
| Reviewer, Design: Form, Content & Vision, manuscript for Pearson Learning Publications | |
| 2009 | Juror, On the Cutting Edge Exhibition, Coos Bay Museum of Art, Coos Bay, OR |
| Reviewer, 2D and 3D Design, manuscript for Pearson Learning Publications | |
| Reviewer, Color Works, manuscript for Laurence King Publications, London, England | |
| 2008 | Reviewer, Color, 5th edition, manuscript for Laurence King Publications, London, England |
| 2004 | Presenter, Surface Design Workshop, Department of Theater, Oregon State University, Corvallis, OR |
| 2002 | Screen Printing Workshop, Department of Theater, Oregon State University, Corvallis, OR |
| Juror, Da Vinci Days, Kinetic Sculpture Racers, Corvallis, OR | |
| Juror, The Fall Festival, Corvallis, OR | |
| 2001 | Lecturer, “Recent Work,” Lane Community College Art Gallery, Eugene, OR |
| 2000 | Juror, Annual Student Art Exhibition, Central Oregon Community College, Bend, OR |
| Curator, “Rising to the Surface,” national exhibition, Southern Oregon University, Ashland, OR |
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| Juror, “The House Show,” national exhibition, Woman Made Gallery, Chicago, IL | |
| 1997 | Participant, Station KCTV Art Auction, Seattle, WA |
| Consultant, Oregon Shakespeare Festival costume department, Ashland, OR | |
| 1996 | Juror, “The Eugene Celebration Exhibition,” Hult Center for the Arts, Eugene, OR |
| 1993 | Member of the Surface Design Association Study Tour of Italy; textile research |
| Lecture, “Year of the American Craft,” Southern Oregon Historical Association, Medford, OR | |
| Visiting Artist Sponsor, Clint Brown, Painter, SOU, Ashland, OR | |
| 1992 | Individual Artist Fellowship Selection Panelist, Ohio Arts Council, Columbus, |
| Visiting Artist Lecturer, Oregon School of Art and Craft, Portland, OR | |
| 1991 | Guest Artist Lecture, “Artist’s Evolution,” Schneider Museum of Art, Ashland, OR |
| Presenter, Women Across the Curriculum Symposium, Southern Oregon University | |
| 1990 | Lecture, “Fiber Directions: West Coast,”Schneider Museum of Art, Ashland, OR |
| Lecture, “Contemporary Fiber: The Bauhaus to 1990,” Redding Art Museum, Redding, CA | |
| Lecture, “Fiber Directions: West Coast,” So. Oregon Hand Weaver’s Guild, Medford, OR | |
| Presenter, Writing Across the Curriculum Symposium, Southern Oregon University | |
| Visiting Artist Sponsor, Leo Hobaica, Installation Artist, SOU, Ashland, OR, | |
| 1988 | Visiting Artist Sponsor, Barbara Layne, Fiber Artist, SOU, Ashland, OR |
| 1987 | Instructional Assistant, Summer European Art and Architecture Study Tour, Eastern Michigan University, Ypsilanti, MI |
| Exhibition Selection Committee Member, Stevenson Union Gallery, SOU, Ashland, OR | |
| Lecture/Workshop, The Toledo Museum of Art, Toledo, OH | |
| 1986 | Guest Artist Lecture, Contemporary Crafts Gallery, Portland, OR |
| Juror, Crosby Gardens Festival of the Arts, Crosby Gardens, Toledo, OH | |
| Juror, employee art exhibition, General Motors Corporation, Marion, IN | |
| Costume Consultant for “Pippin” at University Theater, Ball State University | |
| 1985 | Designer of banners for Presidential Inauguration Ceremony, Ball State University |
| Costume Consultant for “Sweeney Todd” at University Theater, Ball State University | |
| 1984 | Member of the United States Textile Arts Delegation Study Tour of China; textile research Lecture/Workshop, Toledo Museum of Art, Toledo, OH |
| 1983 | Lecture/Workshop, “Ikat Dye Resists,” N.W. Missouri State University, Marysville, MO |
Publications
| 1998 | Campbell, Kay. “The Whole Cloth: Coming Together.” Fiberarts Magazine, Vol. 25, No. 1, p. 19 |
| 1995 | Campbell, Kay. “Spotlight On Education.” Surface Design Journal, Vol. 19, No. 4, pp. 32-34. |
| 1993 | Campbell, Kay. Surface Design Journal, Vol. 17, No. 3, p. 28. |
| 1990 | Campbell, Kay. Fiber Directions: West Coast, Exhibition Catalog, Schneider Museum of Art, Ashland, OR |
Publications by other authors on the artist’s research
| 2012 | Shaw, Kurt, “ Printwork brings together work from top artists.” The Pittsburg Tribune, A&E Section, p.1. Photo image: “Intruder” by Kay Campbell. |
| 2008 | Shadur, Beth, The Poetic Dialogue, “Kay Campbell, Garden of the Same Old Story, pgs. 23, 130 |
| 2006 | Costello, Kevin. “Artist takes two approaches with new exhibit.” The Herald Tribune, October 22, 2006., pg 36. |
| 2005 | Batchelder, Ann, Fiberarts Design Book V, p. 24 |
| 2002 | “Kay Campbell’s Sticks and Stones.” Chicago’s South Shore Magazine, p. 34 |
| “D’Arcy, Christine,” State of the Arts, Oregon Arts Commission Newsletter p. 1. | |
| 2001 | O’Brien, Lisa. “Kay Campbell: About Place.” Fiberarts Magazine, Vol. 28, No. 2, p. 55. |
| “Buckley Center Gallery: Kay Campbell’s About Place.” The Oregonian; Arts and Entertainment Guide, March 16, 2001. p. 63. | |
| 2000 | Woodard, Josef. “Doses of Diversity, Ventura College’s Gallery Hosts Intriguing Works.” The Los Angeles Times, Feb. 9. |
| 1999 | Malarcher, Patricia. “Apart from Home.” Surface Design Journal, Vol. 23, No. 3, pp. 36-39. |
| Montgomery, Teresa. “Rising to the Surface.” Fiberarts Magazine, Vol. 25, No. 4, p. 52. | |
| Tewell, Heather. “Rising to the Surface.” Art Quilt Magazine, 1998-99, issue #10, p. 33. | |
| 1998 | Malarcher, Patricia. “Material Culture Conference Exhibitions.” Surface Design Journal, Vol. 22, No. 2, pp. 46-49. |
| Kent, Roberta. “The Whole Cloth: A Celebration of Fiber Arts.” The Southern Oregon Gazette, Vol. IX,issue 5, pp. 6-7. | |
| “Fiber Constructions & Sculpture at the Hult Center.” Eugene Register-Guard, Dec.3. p.4D. | |
| Markle, Greer. “The Whole Cloth – A Summer Celebration of Fiber Arts.” The Schneider Museum of Art Bulletin, Winter 1998, p. 4. |
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| 1997 | “ANA National Exhibition Catalog.” The Holter Museum of Art, Helena, MT. |
| 1995 | Batchelder, Ann. Fiberarts Design Book V, p. 24. |
| 1994 | Berner, Julie. “Artist Interview.” Fiber Network, Vol. 3, No. 3, May/June 1994 |
| Key, Lori. “Surfacing Visions.” American Craft Magazine, Apr./May p. 41. | |
| 1992 | Baker, Elizabeth. “Guide to Galleries, Museums & Artists 1991-92.” Art in America p. 236 |
| 1991 | “Fiber Directions at Schneider Museum of Art and travels to the Redding Museum of Art.” American Craft Magazine, Dec. ‘90/Jan. ‘91, p. 77. |
| 1990 | Batchelder, Ann. “Fiber Directions: West Coast.” Fiberarts Magazine, Vol. 17, No. 3, Nov./Dec., p. 61. |
| “Fiber Directions: West Coast.” American Craft Magazine, Dec. 1990/Jan. 1991, p. 77. | |
| 1989 | “Art Acquisitions: Kay Campbell’s Thunder Bay.” Corporate Art News, Westinghouse Electric Company, Nov., ‘89, p.8. |
| Moran, Lois. “Fiber Directions: West Coast.” American Craft Magazine, Oct./Nov. 1990 | |
| 1988 | Lizza, Richard William. “Kay Campbell: A Study of Space and Light.” Fiberarts Magazine, issue #3, Nov./Dec., pp. 32-34. |
| Mathews, Kate. The Fiberarts Design Book III, First Edition, c 1988, pp. 45 and 87. | |
| Baker, Elizabeth. “Guide to Galleries, Museums & Artists 1989-1988.” Art in America, p.227. | |
| 1985 | Pencheff, Patricia. “Kay Campbell: The Shifting Balance of Order.” Fiberarts Magazine, Vol.12, No. 5, c Sept./Oct. 1985, p.11. |
| 1984 | Pencheff, Patricia. “East Meets Midwest; A Toledo Artist’s Visit to China.” Toledo Metropolitan Magazine, Vol.1, No. 6, pp. 22-25. |
| 1983 | Hutchins, Jean. The Fiberarts Design Book II, First Edition, c 1983, pp. 118, 129. |